-Greg’s Take- Dale Earnhardt Jr., Jr.: It’s A Corporate World
With music we are consistently faced with the question “what’s in a name?” Unlike other avenues of life, music asks
With music we are consistently faced with the question “what’s in a name?” Unlike other avenues of life, music asks
Have you ever listened to an album and said to yourself: “I swear I have heard this before?” Every time I put on It’s
When I put on The Ordeal of Civility by Gary Lucas’ Gods and Monsters for the first time, I immediately asked myself:
We all have a “Saturday Night Live”-like opinion about our music. We associate ourselves, just as we did with our
The Black Eyed Peas latest release, The Beginning, was suggested by one of our readers who wanted to “share this album
Somewhere someone important wrote something about “certain unalienable rights”. Some may take that as our right to get
Jazz music was dance music; it came out of the brothels and the cathouses of New Orleans. So when the question of “Is
I’ve long been a fan of deep seeded poetic music. I appreciate sitting down to Leonard Cohen and Tom Waits. The
I’ve dabbled in the first three studio albums by The Strokes here and there. I was quite pleased by what I heard,
I had the good fortune of seeing the Strokes in concert in the late summer of 2001. At that point, they were just a